romantic poetry.ppt

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1、19th Century EnglandRomantic Poetry in early 19th CenturyLake PoetsWordsworth华兹华斯华兹华斯Coleridge 柯尔律治柯尔律治Southey 骚塞骚塞beginning as radicals and closing as conservativesEarly Romanticists I Wandered Lonely as a cloud Also commonly known as Daffodils or The Daffodils My Heart Leaps Up When I BeholdMy hea

2、rt leaps up*when I behold *心跳加快心跳加快A rainbow in the sky:So was it when my life began;So is it now I am a man;So be it when I shall grow old,Or let me die!The Child is father of the Man;I could wish my days to beBound each to each by natural piety*.自然的虔诚自然的虔诚 Characteristics of Wordsworth Poems&His A

3、chievements William Wordsworth is the leading figure of the English romantic poetry,the focal poetic voice of the period.He inspires his audience to see the world freshly,sympathetically&naturally.The most important contribution he has made is that he has not only started the modern poetry,the poetr

4、y of the growing inner self,but also changed the course of English poetry by using ordinary speech of the language&by advocating a return to nature.Late Romanticists-Revolutionary PoetsJohn Keats(1795-1821)George Byron(1788-1824)Percy Shelly(1792-1822)Percy Bysshe Shelley (1792-1822)Life may change,

5、but it may fly not;Hope may vanish,but can die not;Truth be veiled,but still it burneth;Love repulsed,but it returneth.1.Life and Career Born into a wealthy family at Sussex Educated first at Eton,then at Oxford Being expelled from Oxford and disinherited by his father because of his writing and cir

6、culating a pamphlet,The Necessity of Atheism(1811)Eloped with 16-year-old Harriet Westbrook in 1811 In 1814 Shelley left England for France with Mary Godwin.After Harriet Shelleys suicide in 1816,Shelley and Mary officially got married.The following year Shelley and Mary left England and settled in

7、Italy.On July 8,1822,Shelley was drowned while sailing in the Bay of Spezia.Ode to the West WindSummary 诗作共分五大部分。前三部分主要从正面直接描绘西风，诗作共分五大部分。前三部分主要从正面直接描绘西风，写它给大地、天空、海洋带来的天翻地覆的变化，后两部写它给大地、天空、海洋带来的天翻地覆的变化，后两部分主要抒写诗人由此而产生的情感。分主要抒写诗人由此而产生的情感。第四部分，诗人以第四部分，诗人以“唉，假如我是一片枯叶被你浮起唉，假如我是一片枯叶被你浮起”领领起，起，连用几个假设，表达出诗人

8、对现实、对自己的不满连用几个假设，表达出诗人对现实、对自己的不满，“我跌在生活底荆棘上，我流血了我跌在生活底荆棘上，我流血了”；“这种岁月的重轭这种岁月的重轭所制伏的生命所制伏的生命/原是和你一样的：骄傲、轻捷而不驯原是和你一样的：骄傲、轻捷而不驯”。第五部分在意义上延承第四部分，又有一些递进。因为第五部分在意义上延承第四部分，又有一些递进。因为对对现实、对自己不满，所以诗人便祈求西风现实、对自己不满，所以诗人便祈求西风“把我当作你的把我当作你的竖琴吧竖琴吧!”给予我给予我“狂暴的精神狂暴的精神”!“让我们合一让我们合一”!吹起我枯吹起我枯死的思想，并把我的预言向世界传送：冬天已经来了，春死的

9、思想，并把我的预言向世界传送：冬天已经来了，春天还会遥远吗天还会遥远吗?诗作在诗人对革命与未来美好的展望中戛诗作在诗人对革命与未来美好的展望中戛然而止，读罢令人卓立风发，倍受鼓舞然而止，读罢令人卓立风发，倍受鼓舞!theme to praise strength,freedom,and rebellion.to fight against old traditions,and to drive dead thoughts over the universe to make a prophecy for the victory of revolution:If winter comes,can

10、spring be far behind?If I were*a dead leaf thou mightest bear;*但愿If I were a swift cloud to fly with thee;A wave to pant*beneath thy power,and share*喘息The impulse*of thy strength,only less free*冲动，推动力Than thou,O uncontrollable!If even I were as in my boyhood,and could be 我若是一朵轻捷的浮云能和你同飞，我若是一朵轻捷的浮云能和

11、你同飞，我若是一片落叶，你所能提携，我若是一片落叶，你所能提携，我若是一头波浪能喘息于你的神威，我若是一头波浪能喘息于你的神威，分享你雄强的脉搏，自由不羁，分享你雄强的脉搏，自由不羁，仅次于，哦，仅次于不可控制的你，仅次于，哦，仅次于不可控制的你，我若能象少年时，作为伴侣，我若能象少年时，作为伴侣，The comrade of thy wanderings over heaven,（As then*,when to outstrip*the skyey*speed *如那时；如那时；*（在赛跑中）超过；（在赛跑中）超过；*在天空中飞翔的速度在天空中飞翔的速度Scarce seemed a vi

12、sion;）I would neer have striven*努力，力求努力，力求;contendedwith 和和相争相争As thus with thee in prayer in my sore need*.*在需要帮助的痛苦之中在需要帮助的痛苦之中 (1)Oh!lift*me as a wave,a leaf,a cloud!*抬，举抬，举*I fall upon the thorns of life!I bleed*!*流血流血 随你同游天际，因为在那时节，随你同游天际，因为在那时节，似乎超越你天界的神速也不为奇迹；似乎超越你天界的神速也不为奇迹；我也就不至于象现在这样急切，我也就

13、不至于象现在这样急切，向你苦苦祈求。哦，快把我扬起，向你苦苦祈求。哦，快把我扬起，就象你扬起的波浪、浮云、落叶！就象你扬起的波浪、浮云、落叶！我倾覆于人生的荆棘！我在流血！我倾覆于人生的荆棘！我在流血！A heavy weight of hours has chained*and bowed*束缚；*弯腰，低头 One too like thee:tameless,and swift,and proud.*不驯 岁月的重负压制着的这一个太象你，岁月的重负压制着的这一个太象你，象你一样，骄傲，不驯，而且敏捷。象你一样，骄傲，不驯，而且敏捷。(2)Make me thy lyre,even as

14、the forest is:What if*my leaves are falling like its own!*就是也何妨The tumult of thy mighty harmonies *喧嚣，骚乱；指的是风声Will take from both a deep,autumnal tone,Sweet though in sadness.(3)Be thou,Spirit fierce,My spirit!Be thou me,impetuous*one!*迅疾的，猛烈的象你以森林演奏，请你也以我为琴，象你以森林演奏，请你也以我为琴，哪怕我的叶片也象森林一样凋谢！哪怕我的叶片也象森林

15、一样凋谢！你那非凡和谐的慷慨激越之情，你那非凡和谐的慷慨激越之情，定能定能从森林和我从森林和我同奏出深沉的秋乐，同奏出深沉的秋乐，悲怆却又甘洌。但愿你勇猛的精灵悲怆却又甘洌。但愿你勇猛的精灵 竟是我的魂魄，我能成为剽悍的你！竟是我的魂魄，我能成为剽悍的你！Drive my dead thoughts over the universe Like withered leaves to quicken a new birth;And,by the incantation*of this verse,*符咒 Scatter*,as from an unextinguished*hearth *撒播；

16、*未熄灭的 Ashes and sparks,my words among mankind!Be through my lips to unawakened earth 请把我枯萎的思绪播送宇宙，请把我枯萎的思绪播送宇宙，就象你驱遣落叶催促新的生命，就象你驱遣落叶催促新的生命，请凭借我这韵文写就的符咒，请凭借我这韵文写就的符咒，就象从未灭的余烬扬出炉灰和火星，就象从未灭的余烬扬出炉灰和火星，把我的话语传遍天地间万户千家，把我的话语传遍天地间万户千家，通过我的嘴唇，向沉睡未醒的人境，通过我的嘴唇，向沉睡未醒的人境，The trumpet*of a prophecy!O Wind,*号角号角If

17、Winter comes,can Spring be far behind?让预言的号角奏鸣！哦，风啊，让预言的号角奏鸣！哦，风啊，如果冬天来了，春天还会远吗？如果冬天来了，春天还会远吗？LyreWest Winds lyre西风吹落叶是秋声，是音乐，诗人请求西风吹落叶是秋声，是音乐，诗人请求西风给他助力，把诗句传播到四方，就西风给他助力，把诗句传播到四方，就像把他当做一只竖琴来演奏一样。像把他当做一只竖琴来演奏一样。The trumpet of a prophecy!O,Wind,If Winter comes,can Spring be far behind?The poem ends i

18、t with a question,which might appear rhetorical,but is more probably intended to indicate Shelleys own uncertainty.我若是一朵轻捷的浮云能和你同飞，我若是一朵轻捷的浮云能和你同飞，我若是一片落叶，你所能提携，我若是一片落叶，你所能提携，我若是一头波浪能喘息于你的神威，我若是一头波浪能喘息于你的神威，分享你雄强的脉搏，自由不羁，分享你雄强的脉搏，自由不羁，仅次于，哦，仅次于不可控制的你，仅次于，哦，仅次于不可控制的你，我若能象少年时，作为伴侣，我若能象少年时，作为伴侣，随你同游天际，

19、因为在那时节，随你同游天际，因为在那时节，似乎超越你天界的神速也不为奇迹；似乎超越你天界的神速也不为奇迹；我也就不至于象现在这样急切，我也就不至于象现在这样急切，向你苦苦祈求。哦，快把我扬起，向你苦苦祈求。哦，快把我扬起，就象你扬起的波浪、浮云、落叶！就象你扬起的波浪、浮云、落叶！我倾覆于人生的荆棘！我在流血！我倾覆于人生的荆棘！我在流血！岁月的重负压制着的这一个太象你，岁月的重负压制着的这一个太象你，象你一样，骄傲，不驯，而且敏捷。象你一样，骄傲，不驯，而且敏捷。四四 象你以森林演奏，请你也以我为琴，象你以森林演奏，请你也以我为琴，哪怕我的叶片也象森林一样凋谢！哪怕我的叶片也象森林一样凋谢！

20、你那非凡和谐的慷慨激越之情，你那非凡和谐的慷慨激越之情，定能从森林和我同奏出深沉的秋乐，定能从森林和我同奏出深沉的秋乐，悲怆却又甘洌。但愿你勇猛的精灵悲怆却又甘洌。但愿你勇猛的精灵 竟是我的魂魄，我能成为剽悍的你！竟是我的魂魄，我能成为剽悍的你！请把我枯萎的思绪播送宇宙，请把我枯萎的思绪播送宇宙，就象你驱遣落叶催促新的生命，就象你驱遣落叶催促新的生命，请凭借我这韵文写就的符咒，请凭借我这韵文写就的符咒，就象从未灭的余烬扬出炉灰和火星，就象从未灭的余烬扬出炉灰和火星，把我的话语传遍天地间万户千家，把我的话语传遍天地间万户千家，通过我的嘴唇，向沉睡未醒的人境，通过我的嘴唇，向沉睡未醒的人境，让预言

21、的号角奏鸣！哦，风啊，让预言的号角奏鸣！哦，风啊，如果冬天来了，春天还会远吗？如果冬天来了，春天还会远吗？五五The Rhyme Scheme John Keats was born on October 31,1795,in London.The oldest of four children,he lost both his parents at a young age.His father,a livery-stable keeper（马厩的雇工领班）,died when Keats was eight;his mother died of tuberculosis（肺结核）six ye

22、ars later.He had to quit school at 15 to study medicine.In 1816 Keats became a licensed chemist(药剂师),but he never practiced his profession,deciding instead to write poetry.With the encouragement of his literary friends,Keats decided to abandon medicine for poetry in 1816.John Keats(1795-1821)In 1818

23、 Keats took care for his brother,Tom,who suffered from tuberculosis.While nursing his brother,Keats met and fell in love with a woman named Fanny Brawne.That same autumn Keats contracted tuberculosis,and by the following February he felt that death was already upon him.In 1820,under his doctors orde

24、rs to seek a warm climate for the winter,Keats went to Rome with his friend,the painter Joseph Severn.He died there on February 23,1821,at the age of 26,and was buried in the Protestant cemetery(新教徒公墓).Keatss grave in Romeepitaph：Here lies one whose name was writ in water.霍顿勋爵曾把这座公墓称为“人的目光和心灵可以停留的最美

25、所在之一”，而雪莱在提到它时说，“想到人死后可以被埋葬在这么甜蜜的地方，不禁使入迷恋上了死亡”；真的，当我看到长满墓上的紫罗兰、雏菊和虞美人，我记起了这位死去的诗人曾这样对他的朋友说，他认为他“一生中所享受过的最大快乐就是观察花卉的生长”，还有一次，他在宁静地躺了片刻之后，突然对早逝有了一种奇怪的预感，喃喃地说：“我感觉到鲜花在我身上生长。”当我站在这位神灵般的少年简陋的墓边，我觉得他是一位美的祭司，在盛年到来之前就被夺去了生命；我在热那亚看见的吉多画的圣塞巴斯蒂安的形象，也出现在我的眼前：他是一个可爱的皮肤黝黑的少年，长着成簇的鬈发和红润的嘴唇，被邪恶的敌人绑在树上；尽管身中数箭，他仍抬起他

26、的眼睛，用圣洁、热切的目光，凝视着正向他敞开的天国的永恒之美。-王尔德 The tombs of KeatsOscar Wild Rid of the worlds injustice and its pain,He rests at last beneath Gods veil of blue;Taken from life while life and love were new The youngest of the martyrs here is lain,Fair as Sebastian and as foully slain.No cypress shades his grave

27、,nor funeral yew,But red-lipped daisies,violets drenched with dew,And sleepy poppies,catch the evening rain.O proudest heart that broke for misery!O saddest poet that the world hath seen!O sweetest singer of the English land!Thy name was writ in water on the sand,But our tears shall keep thy memory

28、green,And make it flourish like a Basil-tree.摆脱了人世间的痛苦与不公摆脱了人世间的痛苦与不公他歇息在上帝蔚蓝的帷幕之下他歇息在上帝蔚蓝的帷幕之下生命被掠取，当生命尚新，爱情初绽，生命被掠取，当生命尚新，爱情初绽，最年轻的殉道者在此遭扼杀，最年轻的殉道者在此遭扼杀，如塞巴斯蒂安一般英俊，如他一般被扼杀，如塞巴斯蒂安一般英俊，如他一般被扼杀，坟上没有柏树的绿荫，没有悲哀的紫杉，坟上没有柏树的绿荫，没有悲哀的紫杉，只有红唇的雏菊，露湿的紫罗兰，只有红唇的雏菊，露湿的紫罗兰，只有睡意朦胧的罂粟，迎着夜雨只有睡意朦胧的罂粟，迎着夜雨.哦，因苦痛而被破碎的的最

29、骄傲的心！哦，因苦痛而被破碎的的最骄傲的心！哦，世间见过的最悲伤的诗人！哦，世间见过的最悲伤的诗人！哦，英格兰最甜美的歌手！哦，英格兰最甜美的歌手！你的名字写在水中，写在沙上，你的名字写在水中，写在沙上，但我们的泪会洗去岁月的流痕，但我们的泪会洗去岁月的流痕，对你的回忆像零陵香一样永远常青对你的回忆像零陵香一样永远常青.His works长诗长诗:Endymion恩底弥翁恩底弥翁 Lamia拉弥亚拉弥亚 Isabella伊莎贝拉伊莎贝拉、Hyperion 赫披里昂赫披里昂 The Eve of Saint Agne 圣阿格尼斯之夜圣阿格尼斯之夜 短诗：短诗：Ode on a Grecian U

30、rn 希腊古瓮颂希腊古瓮颂 Ode to a Nightingale 夜莺颂夜莺颂 Ode to Autumn秋颂秋颂 Ode on Melancholy忧郁颂忧郁颂 Ode on a Grecian UrnGreece，the source of Western Civilization 1 Thou still unravishd*bride of quietness,*非强夺的，委身的非强夺的，委身的 Thou foster-child*of Silence and slow Time,*养子女养子女Sylvan*historian,who canst thus express *森林的

31、，林木的森林的，林木的 A flowery tale more sweetly than our rhyme:What leaf-fringed*legend haunts about thy shape*以绿叶为边以绿叶为边 Of deities*or mortals,or of both,*神神 In Tempe or the dales of Arcady*?*世外桃源世外桃源 What men or gods are these?what maidens loth*?*不愿意，躲逃不愿意，躲逃 What mad pursuit?What struggle to escape?What

32、pipes and timbrels*?What wild ecstasy?*小手鼓小手鼓希腊古瓮颂 你委身你委身“寂静寂静”的、完美的处子，的、完美的处子，受过了受过了“沉默沉默”和和“悠久悠久”的抚育，的抚育，呵，田园的史家，你竟能铺叙呵，田园的史家，你竟能铺叙一个如花的故事，比诗还瑰丽：一个如花的故事，比诗还瑰丽：在你的形体上，岂非缭绕着在你的形体上，岂非缭绕着古老的传说，以绿叶为其边缘；古老的传说，以绿叶为其边缘；讲着人，或神，敦陂或阿卡狄？讲着人，或神，敦陂或阿卡狄？呵，是怎样的人，或神！在舞乐前呵，是怎样的人，或神！在舞乐前多热烈的追求！少女怎样地逃躲！多热烈的追求！少女怎样地逃躲

33、！怎样的风笛和鼓谣！怎样的狂喜！怎样的风笛和鼓谣！怎样的狂喜！2 Heard melodies are sweet,but those unheard Are sweeter;therefore,ye soft pipes,play on;Not to the sensual*ear,but,more endeard,*肉体的，感官的肉体的，感官的 Pipe to the spirit ditties*of no tone:*小曲，歌谣小曲，歌谣Fair youth,beneath the trees,thou canst not leave Thy song,nor ever can tho

34、se trees be bare*;*光秃秃的光秃秃的 Bold*lover,never,never canst thou kiss,*鲁莽的鲁莽的Though winning near the goal-yet,do not grieve*;*悲伤，伤心悲伤，伤心 She cannot fade,though thou hast not thy bliss,For ever wilt thou love,and she be fair!听见的乐声虽好，但若听不见听见的乐声虽好，但若听不见却更美；所以，吹吧，柔情的风笛；却更美；所以，吹吧，柔情的风笛；不是奏给耳朵听，而是更甜，不是奏给耳朵听，

35、而是更甜，它给灵魂奏出无声的乐曲；它给灵魂奏出无声的乐曲；树下的美少年呵，你无法中断树下的美少年呵，你无法中断你的歌，那树木也落不了叶子；你的歌，那树木也落不了叶子；卤莽的恋人，你永远、永远吻不上，卤莽的恋人，你永远、永远吻不上，虽然够接近了虽然够接近了但不必心酸；但不必心酸；她不会老，虽然你不能如愿以偿，她不会老，虽然你不能如愿以偿，你将永远爱下去，她也永远秀丽！你将永远爱下去，她也永远秀丽！3 Ah,happy,happy boughs!that cannot shed*树叶脱落树叶脱落 Your leaves,nor ever bid the Spring adieu;*告别春天告别春天

36、And,happy melodist,unwearied,*声调悠扬的音乐家声调悠扬的音乐家 For ever piping songs for ever new;More happy love!more happy,happy love!For ever warm and still to be enjoyd,For ever panting*,and for ever young;*喘息，悸动，渴望喘息，悸动，渴望All breathing human passion far above,That leaves a heart high-sorrowful and cloyd,*发腻，倒胃

37、口发腻，倒胃口 A burning forehead,and a parching tongue.*焦渴的焦渴的 呵，幸福的树木！你的枝叶呵，幸福的树木！你的枝叶不会剥落，从不曾离开春天；不会剥落，从不曾离开春天；幸福的吹笛人也不会停歇，幸福的吹笛人也不会停歇，他的歌曲永远是那么新鲜；他的歌曲永远是那么新鲜；呵，更为幸福的、幸福的爱！呵，更为幸福的、幸福的爱！永远热烈，正等待情人宴飨，永远热烈，正等待情人宴飨，永远热情地心跳，永远年轻；永远热情地心跳，永远年轻；幸福的是这一切超凡的情态：幸福的是这一切超凡的情态：它不会使心灵餍足和悲伤，它不会使心灵餍足和悲伤，没有炽热的头脑，焦渴的嘴唇。没有炽

38、热的头脑，焦渴的嘴唇。4 Who are these coming to the sacrifice?*献祭，祭品献祭，祭品 To what green altar,O mysterious priest,*祭坛祭坛*祭司祭司Leadst thou that heifer lowing at the skies,*小母牛小母牛*哞哞叫哞哞叫 And all her silken flanks with garlands drest?,*侧腹侧腹*花环花环What little town by river or sea shore,Or mountain-built with peaceful

39、citadel,*城堡城堡 Is emptied of this folk,this pious morn?*使成为空的，腾空使成为空的，腾空 And,little town,thy streets for evermore *始终，永久始终，永久 Will silent be;and not a soul to tell Why thou art desolate,can eer return.这些人是谁呵，都去赶祭祀？这些人是谁呵，都去赶祭祀？这作牺牲的小牛，对天鸣叫，这作牺牲的小牛，对天鸣叫，你要牵它到哪儿，神秘的祭司？你要牵它到哪儿，神秘的祭司？花环缀满着它光滑的身腰。花环缀满着它光滑

40、的身腰。是从哪个傍河傍海的小镇，是从哪个傍河傍海的小镇，或哪个静静的堡寨山村，或哪个静静的堡寨山村，来了这些人，在这敬神的清早？来了这些人，在这敬神的清早？呵，小镇，你的街道永远恬静；呵，小镇，你的街道永远恬静；再也不可能回来一个灵魂再也不可能回来一个灵魂告诉人你何以是这么寂寥。告诉人你何以是这么寂寥。5 O Attic shape!Fair attitude!with brede *希腊的希腊的 *姿态；（姿态；（n.）编带，镶缀）编带，镶缀 Of marble men and maidens overwrought,*大理石的大理石的;*表面装饰有表面装饰有With forest bran

41、ches and the trodden weed;*践踏过的践踏过的 Thou,silent form,dost tease us out of thought *使我们超越思想使我们超越思想As doth eternity:Cold pastoral!*如同永恒如同永恒 When old age shall this generation waste,Thou shalt remain,in midst of other woe *忧伤忧伤Than ours,a friend to man,to whom thou sayst,Beauty is truth,truth beauty-th

42、at is all Ye know on earth,and all ye need to know.哦，希腊的形状！唯美的观照！哦，希腊的形状！唯美的观照！上面缀有石雕的男人和女人，上面缀有石雕的男人和女人，还有林木，和践踏过的青草；还有林木，和践踏过的青草；沉默的形体呵，你象是沉默的形体呵，你象是“永恒永恒”使人超越思想：呵，冰冷的牧歌！使人超越思想：呵，冰冷的牧歌！等暮年使这一世代都凋落，等暮年使这一世代都凋落，只有你如旧；在另外的一些只有你如旧；在另外的一些忧伤中，你会抚慰后人说：忧伤中，你会抚慰后人说：“美即是真，真即是美，美即是真，真即是美，”这就包括这就包括你们所知道、和该知道的

43、一切。你们所知道、和该知道的一切。Major Features of Keatss Poetry Keats is known as a sensuous poet(给人以美的享受的诗人).His poetry is always colorful and rich in imagery(意象),which expresses the acuteness（敏锐）of his senses.Sight,sound,scent,taste and feeling are all taken in to give an entire understanding of an experience.Major subject matters of his poems love&beauty and suffering&death